press · 2

Marks across a ghost labelcandidate — no select-press.md yet; combine covers press; sits beside proof's Marks in rows, names beside in select-proof.md

press · jasminestar.com · jasminestar.com "AS SEEN IN" band — band 04 of gallery/_inbox/jasminestar.com (second polite pass, 2026-09-13; y2036–2619); the arch entering from below is the about band's portrait, see about/arched-portrait-on-a-curved-seam
Black band 583px; "AS SEEN IN" in the display face at 320px, rgb(23,23,22) on #000 — 1.17:1 — cap rows 2055–2278, wider than the viewport and clipped mid-glyph at both edges; six white logos (Inc., Entrepreneur, Forbes, HuffPost, MSNBC, VaynerMedia) at cap rows 2158–2194, x126–1314, gaps 54–66px, centred on the ghost's cap height within 10px; no eyebrow, no copy; the arch photo's apex at y2310 inside the black.
added 2026-09-13

How it looks:

  • Desktop: a short full-bleed band in the ink, with depth in two layers. Behind: the band's label — "as seen in", "trusted by" — set in the display face at the largest size on the page, wider than the screen so it is clipped mid-letter at both edges, in a tone one step off the ground so it is felt more than read. In front: the marks in one row in the ground colour at native size, evenly spaced, their centre line on the ghost's cap height, so the marks sit inside the letters. Nothing else: no eyebrow, no sentence, no rule. The ghost is several times the marks' height and the band is little taller than the ghost.
  • Phone: the ghost stays clipped by both edges; the marks in two or three rows, still across the ghost's middle.

Fits: four or more mark rows that read at native size on the band's ground; a label of two or three words; the direction typographic, loud or hard-edged; either an inverted band or the page ground, the ghost one step off whichever it is.

Not fit: fewer than four marks; a label of more than three words; marks that need a caption; the direction quiet or classic.

Photo wall in ragged rows, no wordscandidate — no select-press.md yet; combine covers press; sits beside Marks across a ghost label (jasminestar.com) in press, and beside proof's Faces in a strip, names beneath (bestspeech.co — clients' faces as one strip); here the photos are the mentions themselves, no marks and no strip

press · www.marieforleo.com · marieforleo.com press/TV mosaic, the last quarter of the scroll before the footer — gallery/_inbox/marieforleo.com/12.jpg to 17.jpg stitched (second polite pass, 2026-09-13; cuts at y8847, 9270, 9808, 10448 and 10882, each falling in a row gap, so no photo is split); the fixed chat launcher was hidden in this capture. Phone from references/marieforleo.com/screenshots/mobile/13–19.webp.
Six bands y8313–11224 (2911px, 24% of the 11953px page) on white; 17 photos in rows of 3/3/3/3/2/3; row heights 510/399/514/614/416/317 css px; column widths 342/461/580, 462/580/342, 342/582/462, 460/461/462, 702/700, 461/460/462 — three widths rotating position for three rows, then equal thirds, halves, thirds; 19px column gaps, 22–26px row gaps; x9–1430, 10px from each viewport edge. Ten cards carry a 60px play disc and an h3 36px/200 name rendered only on mobile (white over a black gradient); seven are unlinked stills. No visible words on desktop — sections.json counts 2–6 words per band, all hidden captions (Elizabeth Gilbert, Marie & Oprah, Tony Robbins, Abby Wambach, Super Soul Sessions, Daymond John, Glennon Doyle, Brené Brown, EIF Experience, Tim Ferriss). Numbers from references/marieforleo.com/analysis.md §9, checked against bands 12–17.
added 2026-09-13

How it looks:

  • Desktop: flat, on the page ground: nothing but photographs, a wall of them in six rows, nearly edge to edge with a thin gutter between neighbours, running a quarter of the page's scroll. Each row holds two or three photos of differing widths — a narrow, a middle, a wide — and the same three widths change places row to row, so the wall reads as laid by hand rather than on a grid; the rows' heights differ too. Every photo is the owner beside a known face, on a set, on a stage or on a cover: press as pictures, not marks. No heading, caption, rule or button — no type at all; the names are kept for the phone.
  • Phone: one column, every photo at full width and the same width; the linked ones gain a play mark and the name at the foot over a dark fade, the rest stay wordless.

Fits: eight or more photo rows whose captions name a known person, a show, a stage or a cover — environment and portrait roles mixed, any tone, wide and tall column alike since the widths rotate; a brand whose proof is who it has stood beside; the direction photographic, loud or dense; a page that can spare a long scroll.

Not fit: fewer than eight photos, where the wall reads as a grid; photos of the owner alone; a press beat that needs marks or a sentence; the direction quiet, minimal or typographic.